Mayflies 1942-2002 (lyrics)

They swayed on the prom
like reeds in the wind
nipping on stolen brandy
She’d booked room no.6 at the Clarendon
He felt like a prince.

He said that he saw a fritillary fly
“You cock”, she said,
“I’m just a cabbage white”
When he mumbled he loved her
she hissed “That’s not right
You dozy ha’p’orth of grapes”

“We must love like mayflies now
In this bitter spring”


Like mayflies?”,he wondered,
“If only they could sing”

He said:
I Saw her one time
down on Snakey lane in 1953
Out with her man and a girl
And the girl looked a little
Like me… maybe?”

“For all I that I cared she thought I was dead
And I heard that she worked up the airport
But they pulled that all down

She stayed on the ground
When B.O.A.C moved to Gatwick

“We must love like mayflies now
In this bitter spring”

Like mayflies?” he said
“If only they could sing”

Now she stamps on the tarmac at Riverview
Cries for his plane to come down
But planes never land here
and if they did land
they’d flatten this rotting town.

Maybe she noticed a skylark rise
Like he saw fritillaries fly
Back In room no.6 at The Clarendon
One of them lied.

What a dozy ha’p’orth of grapes!

We must love like mayflies now
In this bitter spring
Like mayflies?
If only they would sing

Gravesend once had an airport.It was to be called London East, built on the pre-war and WW2 aerodrome.
All that is left of it is a small patch of taxiway near Nell’s Cafe. The Riverview estate swallowed up the rest.
This tale starts during the Battle Of Britain and finishes in 2002. If you know how long mayfly imagos live then you’ll understand the premise…the fleeting urgency of love in wartime.

Proverbs 4:23

“Guard you heart!”
You misread that verse
and muttered
Neolithic numptiness!

Candi Staton comes to me:
“Young hearts run free!”
To fail and rage and flow
and learn to trust enough
(as wiser hearts may know).

Unbox that
Precious pale
Cynical bitter
Over-watched
Crab-apple Gollum ‘guarded’ heart
from which sweetness barely flows
these days;

That never learned
to weather mess
or fix your anxiousness
and let you grow.

Let’s go!
Sing karaoke.
Go on!
Bellow!

And make that perfect moment
when we have
all we ever wanted…
…except tomorrow.

“When you just can’t break away“
Just can’t break away.

The Shackleton

I think I’ll tell you about Sally Evans
She was striking out notes that she wrote to herself
Tore them to pieces and hid them away
In a Bandaid tin on the shelf in the shed

I was sixteen and my hair was curly
I had always imagined her words were about me
So I pieced them together like cryptical crosswords
And found to my shock they were not.

“Graham has dumped me…
God I’m so sad”
Johnny’s all right for a laugh but he’s a bit of a twat
I’m three weeks pregnant
I know it’s not long
My parents will kill me but in truth I’m more scared of the bomb”

Two cold war kids on a horsehair mattress
Listened to Shackletons drone…
They were hunting the subs in the North East Atlantic
And we were too scared to go home.

But Sally wasn’t up the duff
And the Berlin wall tumbled down soon enough.
I got birthday cards… but not this year
Just an odd little jigsaw in a Bandaid box.

“Alan has left us
The kids miss their Dad
Kevin’s all right for a laugh though he’s a bit of a twat.
My kids six months pregnant… she’s never at home.
And I’m nearly fifty years old and you know I’m still scared of the bomb.”

“I think you loved me… well I wanted you
Though we never said so…
That would have been cruel
And what was that plane called we heard every night?
The one you said watched over us
Sometimes I miss the bomb”

The Empty Kinder Egg

From The Vogon Literary Review June 1980

Let’s look at this
Forty-two- a- penny shrine,
Its overpraised, chaotic lines
That start with tea and yellow trucks,
And flukes and random bits of luck.
Oh and bits of sciencey sounding stuff
That do connect but not enough.

It lacks the risky weight of science.
Just gags eked out across the stars
A paperback for airport bars
Vanilla TV scripted just for you
Who rhyme with number forty-two

Too slack to even make it forty-six
(And give it universal
Chromosomal  
Human meaning)

1980’s babble
Fishy Kinder egg bland chocolate
Without the present
Or the flavour
Do yourself a favour
Don’t panic

Read Pratchett!
Or Ursula
(Le Guin)

Fin

West Chapple Farm 23.09.1975

Gentle soft and murmured
The sounds of kindness
Speaking softly
Your thoughts of murder.

No one ever hears
The bitterness of your years
The girl you were to marry
They destroyed your plans

You see the betrayal
Through another door
The girl you were to marry
Thirty years before

A life for a man
Shackled and harnessed
Where’s the joy in labour
When you break the earth
With your hands?

Three of you
Quietly there
Living with no sign
Would it be a crime

To load this dark iron slowly
See them start to run
Like the scattering of crows
In the autumn

She alone found love…once
And he had all the fields
All you’ll ever own
Is the fading
Of childhood into grey

Neolithic Ponder

I love Silbury Hill. During the investigations of the 1960’s, when it was probed with massive corkscrews and pipes, to no avail, that strange cone was often featured on childrens’ telly programmes like Blue Peter and Newsround. It’s unlike anything else in Britain, and it’s accessible. You can drive up, find a gap in the fence (there’s always at least one), and clamber up to the top…if it’s dry enough that you won’t slip.

But why was it built? On who’s orders?

We assume that Neolithic people didn’t travel much but of course they did… people always travel…and there’s plenty of evidence for international trade too.

So, one day this hairy travelling bloke… or hairy travelling woman…. arrives at a prehistoric Devizes pub in a Ford Transit, loaded with exotic spices, cuddly toys …and unguents… and gets talking to the local warlord who’s been fretting about his future long barrow burial mound thingy …and how, style-wise, the design is a bit two-thousand-and-late BCE.

The well-travelled hairy nomad scratches a 2-dimensional triangle on a bit of bone and says, “This is how real kings and queens do it out East, and it’ll be a lot better tnan your poxy old barrow. Pay me 5,000 bilberries and I’ll sell you this design…in fact for 10,000 bilberries and a lardy cake you can have the copyright!”

This local warlord is well happy… pays up, gets all the local unemployed lads and lasses to build a big pile of mud and chalk. It’s basically a very large pile of stuff that naturally settles into a cone shape.

No one in the town had ever seen a real modern pyramid, so everyone in Wiltshire felt very smug… as people who live in Wiltshire generally do.

The old warlord died and the tribe realised there was no doorway to shove him in… and no burial chamber either. After a few jugs of mead they stuffed him into the nearest overflowing long barrow and kept shtum. Well style isn’t everything and he’d been a pretty shit warlord.

Wiltshire folk have been a bit smug ever since.

Ok so it’s a pretty dumb theory but as good as some other stuff on the fake archaeology sites.

Next up in Archeological Bollocks…the Bronze age origins of the Cornish pasty or pastilla and its role in facilitating the Phoenician tin trade.


.

Mayflies

An old, stout, confused woman, with jumbled memories, stands on the waterfront.

She mourns a boy she spent an April night with so long ago. A drunken proposal, after a tea-dance on the pier and illicit nips of brandy. Swaying in the wind on the edge of Bawley Bay like skinny reeds. In that place where General Gordon smiled, Pocahontas cried, and Lady Franklin once waved at two wooden ships that sailed off into the ice.

He’d called her “My pretty flutterby…like a fritillary!”. He was the only one who ever had.

“Oh you daft boy… but I’m no painted lady… more a plain cabbage white”, she’d teased. “Anyway we must love like mayflies now.”

Or something like that. For wishes and covenants were as slippery as fishes back then, and there was no time to waste. He flew off next day and, like so many, he never came back to her.

An old man with a burn-scarred face stands on a small patch of crumbling tarmac… to the south…on the high ground near Riverview. He stamps on those last remains of a once rumbling runway, with jumbled thoughts. All has changed, except that easterly chill. “We take off upwind to fly and we sail off upwind to die” he mused. “It’s always against us.”

He looks down towards the river with rushes of faded memories like hers. One reel is still so clear and sharp. That waitress he danced with in ’42, who took him back to The Royal Clarendon Hotel. You don’t forget your first… her smell… her skin… the hair down there. A prince that night alright.

She’d always assumed he’d died … so many did. He’d actually bailed out blazing over France and spent the rest of the war as a POW. …came back weary and glad at first, then skinny, ugly and bitter.

He spotted her just once… a few years after he returned … from a distance… one spring in the ’50’s, walking with husband and children… on the old Medway canal towpath that came to be called Peanut Road.

He’d turned away unseen. Would she have recognised him? Probably not.

Such things happen in wartime…and in its aftermath.

“We must love like mayflies now…”.

If
Only
They
Could
Sing

Glossolalia I


I don’t miss driving home from work
Parking up the road
Too worried to cover that last half mile
Waiting half an hour

Knowing that the wine would smile
Long before you asked
“How was your day?”
Which you did sometimes

I was grateful for that
And faintly hopeful
Even though anything more than “Fine”
Resulted in glazed eyes

The words that we needed were never birthed
but spoken inwardly
And loudly
In Pentecostal tongues

The fight we never had was a brutal attrition
Fought in damp shadows
At increasing range
Wielding sharpened jibes

The dams never broke
And you will never know
Who won

For we are both happier now

I Keep Your Letter

I keep your letter folded away
For a later that never came.
In a Jiffy bag
Along with an unwritten postcard of Lough Owel
And a Young’s beer mat with your number
Written with a pen you borrowed from Maria
In The Spread Eagle.
I kept them for a later
Where we would laugh at our luck…
Fuck…

…in  long dry summers.
At the end of a long green lane
In the shade of high Elm trees
On this horsehair mattress
That smells of tobacco

And now it is a later
Different to the one we willed
And could have owned
Where we are grey
And Elm trees are long gone
Like Somerstown
I keep your letter

Trinity House Thames Lights.

We eavesdrop near the shore.
Each flash a starlight pinprick.
Every occultation a gap between heartbeats.
Those little blinking houses ;
So far away,
And so far apart.
Talking by signing,
And calling out in sound too.
For they cannot see.

Talking by singing
Their vocabulary is small
I can name each light with a song
Or write one song for all
Two words
‘Off’ and ‘On’
So it should be a short and simple task
Our song
But we do not find it so.